Drivel

So I was watching this mafia series and had a thought. In most films, everything aligns with the general vision: the music, the scenes, the costumes, types of actors used and so forth. When someone is waiting at the airport and hears their child has been shot, you get appropriate background for that sort of news to align with the emotion you want to convey. In real life, you might have I’m a Barbie Girl playing in the background. So what I wanted to say is, I’d like to do that kind of thing in writing. Set the scene and then add a touch of jarring realism AND then reign the thing in again, so it won’t turn absurd or grotesque or banal. Not just to disrupt, but to bring back home and pull off a serious scene with I’m a Barbie Girl playing in the background, metaphorically speaking.

I don’t know if the ability to do that is sufficient for good writing, but one has to learn to compensate for one’s weaknesses with one’s strengths.

 

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